The Practice and Science of Drawing Ebook

Drawing

In a Few Minutes, You Can Be Learning The Fine Art of Drawing From One of the Foremost Authorities of The Science and Practice of Drawing!

Finally, You Can Now Discover How To Draw Like A Pro Without Having To Go To An Big-ticket Art School!

Dear Friend,

It's ne'er too late to discover to draw, and the better thing is, it doesn't have to be big-ticket to discover to draw!

At last, you can now discover the fine art of drawing without enrolling in an big-ticket art school.
Discover the art in the comfort of your own house in your spare time at a fraction of the cost in enrolling in an art school with the "The Practice and Science of Drawing" by Harold Speed!

No commutation to and from a trade school ever! No hours lost to your existing employment, housekeeping or studies!

Learn Drawing Step By Step!

"The Practice and Science of Drawing" is a comprehensive instructions that contains over a hundred illustrations to instructions you step-by-step and help you accomplish mastery in the The Practice and Science of Drawing.

Let the author's illustrations instructions you through the various stages of drawing. With this step-by-step instructions learning the art of drawing would-be be gratifying and easy!

The illustration below shows the several stages of mass drawing with the brush (Plate I. The Practice and Science of Drawing).

"The Practice and Science of Drawing" is an inordinately brilliant activity that besides contains extensive discussions just about modern art and various styles, techniques and philosophies of several artists.

In Chapter I for instance the author talks just about the various studies just about several artists' styles and points of views.

In describing the works of several artists for instance, the author writes:

"If anybody looks at a image by Claude Claude monet from the point of view of a Raphael, he wish see nothing but a empty jargon of wild paint-strokes.

And if anybody looks at a Raphael from the point of view of a Claude Monet, he will, no doubt, only see hard, tinny figures in a setting absent of any of the lovely atmosphere that always envelops form seen in nature. So wide apart are several of the points of view in painting."

Learn The Science of Drawing!
Much importantly, "The Practice and Science of Drawing" is besides a scientific investigation just about the art of drawing.

Take for instance how the author expounds on the art of drawing:

"The better things in an artist's activity are so more a matter of intuition, that there is more to be aforesaid for the point of view that would-be altogether discourage intellectual inquiry into artistic phenomena on the part of the artist.

Intuitions are shy things and apt to disappear if looked into too closely. And there is doubtless a danger that too more cognition and training may replace the natural intuitive feeling of a student, departure only a cold cognition of the means of expression in its place.

For the artist, if he has the right stuff in him, has a consciousness, in doing his better work, of something, as Art critic has said, "not in him but through him." He has been, as it were, but the agent through which it has found expression."

Table Of Contents

I..........................INTRODUCTION
II.........................DRAWING
III........................VISION
IV.........................LINE DRAWING
V..........................MASS DRAWING
VI.........................THE ACADEMIC AND CONVENTIONAL
VII........................THE STUDY OF DRAWING
VIII.......................LINE DRAWING: PRACTICAL
IX.........................MASS DRAWING: PRACTICAL
X..........................RHYTHM
XI.........................RHYTHM: VARIETY OF LINE
XII........................RHYTHM: UNITY OF LINE
XIII.......................RHYTHM: VARIETY OF MASS
XIV.......................RHYTHM: UNITY OF MASS
XV........................RHYTHM: BALANCE
XVI.......................RHYTHM: PROPORTION
XVII......................PORTRAIT DRAWING
XVIII.....................THE VISUAL MEMORY
XIX.......................PROCEDURE
XX........................MATERIALS
XXI.......................CONCLUSION
APPENDIX

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